Drumheads is a drumming podcast hosted by Stacey Hood, featuring conversations with professional drummers from punk, rock, jazz, and funk. Each episode covers the real experience of making a living as a drummer — the music, the stories, and life on the road. No drumming experience required.
Aaron Comess has spent over three decades behind the kit, but most people know him for four minutes of music: “Two Princes,” the song that turned Spin Doctors into one of the defining bands of the early nineties. There’s more to the story than that hit, though. Before Spin Doctors blew up, Comess was cutting his teeth in New York’s jazz scene, studying at the…
Ursula Sargent plays Rockstar in Blue Man Group’s touring production — a role built around real-time reaction as much as rhythm. She’s part live drummer, part music director, part DJ, adjusting the show’s music and audio cues based on how the Blue Men and the audience are connecting on any given night. A Seattle native, she started on a single snare drum at age ten…
Los Lobos percussionist Alfredo Ortiz joins the podcast to discuss his career. Ortiz shares details about his time with the Beastie Boys, his work with Los Lobos and the technique required to bring traditional Latin percussion to modern rock music. Listen to the full episode below. Check out his site at https://www.fredoortiz.com/ And Los Lobos Tour Dates: https://www.loslobos.org/tour/
Welcome back to Drumheads. I’m Stacey Hood. Today’s guest is Stanton Moore — the drummer behind Galactic for over 25 years, and one of the most respected voices in New Orleans drumming. Beyond Galactic, he’s led his own jazz trio projects and built a serious second career as an educator, teaching the city’s second-line tradition through Drumeo and his own instructional books. What makes Stanton…
Host
Stacey Hood is the founder of Drumheads Media and Podcast. He started in the digital world with the founding of World Soccer Shop and as a former partner with Guitar.com. He has written for national and regional music magazines and performed with regional touring acts and as a tech at the national level.
Been listening since episode 12. The interviews are long enough to actually get somewhere but don't overstay their welcome. Stacey asks the questions I'd ask if I had access to these players.
Not a fan-boy show. The guests are legit and the conversations stay practical. Would like more episodes per month, but what's there is worth your time.
I've tried a dozen drumming podcasts. Most peter out after 20 episodes or turn into gear ads. This one has kept its focus. The guests are well-prepped and the host clearly knows the instrument.
I am really satisfied by far from the countries Vokalia and Consonantia, there live the blind texts. Separated they live in Bookmarks grove right at the coast. I am really looking forward to work together for the next project.
This show deserves a bigger audience. The Martin Ditcham episode alone is worth subscribing. Refreshingly low on hype, high on actual content.
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